Press

THE IMAGES OF ME: 2024 PROLOGUE NEW PLAY FESTIVAL

〈台大戲劇系「哈姆雷特機器人」 多視角異地共演〉

NTU Department of Drama and Theatre Presents "Hamlet Machineman": A Multi-Perspective, Cross-Venue Performance

〈劇場編導蔡志擎：「迫切感」能刺激創作或生活，但也要偶爾提醒自己緩下來〉

Playwright-Director Chih-Ching Tsai: A Sense of Urgency Can Drive Creation and Life, But It’s Important to Remind Ourselves to Slow Down Sometimes

〈在群體中找到自己的座標：趁著重聚時刻 思索人生選擇權 這一頓《年夜飯》〉

Locating Oneself in the Crowd: Reflecting on Life’s Choices in "The Reunion Dinner"

〈布袋戲班人才嚴重斷裂？ 金創獎第三屆銅獎《指忘》緊扣親子傳承課題〉

Severe Talent Gap in Traditional Puppet Troupes? Third-Place Winner of the 3rd Quanta Performing Arts Golden Creative Award, "Slipping Through Fingers," Explores Parent-Child Heritage

〈兩廳院藝術出走 寶島曼波Formosa打造台味音樂劇〉

FormosART by NTCH: "Dancing Through Formosa" Brings a Taiwanese Twist to Musical Theater

​〈《指忘》布袋戲與現代劇場的融合，父子情誼的記憶交織 - 鄧惠文 專訪 蔡志擎 編導〉

"Slipping Through Fingers:" The Fusion of Traditional Puppet Theater and Contemporary Stage, Interwoven with Father-Son Memories - An Interview with Playwright-Director Chih-Ching Tsai by Hui-Wen Deng

​〈直面日常的暴力─台南人劇團《泰特斯瘋狂場景》編導 蔡志擎專訪〉

Confronting Everyday Violence: An Interview with Playwright-Director Chih-Ching Tsai on Tainaner Ensemble’s "The Madness of Titus Andronicus"