Dates | Apr. 16 – Apr. 18, 2021
Venue | Nanhai Theater, Taipei
Produced by Tainaner Ensemble
This adaptation of Titus Andronicus reimagines Shakespeare’s notorious revenge tragedy within a contemporary political context, exploring cycles of violence, power dynamics, and societal upheaval. The story begins with Titus returning victorious from a decade-long war, bringing Tamora, Queen of the Goths, as a prisoner. Seeking justice for his fallen sons, Titus sacrifices Tamora’s eldest child, igniting a series of escalating retaliations. As Tamora and her lover, Aaron, conspire against Titus and his family, the city descends into a chaotic spiral of vengeance, questioning the boundaries of justice and the legitimacy of violence in a fractured society.
The production emphasizes the psychological and moral struggles of its characters, shedding light on primal instincts and the fragility of societal structures. Through a blend of modern theatrical techniques and Shakespeare’s original framework, the play examines the absurdity of civilization’s attempts to rationalize brutality, turning the stage into a metaphorical madhouse. This adaptation reflects on the cyclical nature of conflict and the fine line between justice and cruelty, presenting a visceral exploration of humanity’s darker impulses.
演出時間 | 2021年4月16日至18日
演出地點 | 南海劇場
主辦單位 | 台南人劇團
暴戾 監禁 瘋人園
斷肢 割舌 啖人肉
男男女女 相愛相殺 製造癲狂
莎士比亞最嗜血的復仇劇 殘酷舞臺的當代展現
我們以何之名行使暴力?
戰爭結束,泰特斯帶回異族皇后塔摩拉作為俘虜,為了替戰死的兒子討回正義,殺害塔摩拉長子作為血祭,隨後塔摩拉與情夫艾倫聯手,將復仇之箭瞄向泰特斯之女拉維尼婭,讓剛迎回和平的城市,再次陷入一次又一次暴行輪迴的無政府狀態。身處在歷史上最暴力也最冷漠的年代,究竟什麼樣的暴力是合法?什麼樣的極刑才是理性?
改寫莎士比亞最惡名昭彰的復仇劇,深挖劇中男男女女角色的心境,揭開人作為動物的原始暴戾及渴求,是不合時宜的能量浪費,化成一座又一座展示人性缺陷的瘋人園,抑或是一則又一則荒謬寓言,嘲弄著文明理性及人性的微不足道?
Cast &
Creative
Adapted from William Shakespeare’s Titus Andronicus
改寫自莎士比亞作品《泰特斯・安特洛尼克》
Artistic Director 藝術總監 | Po-Shen Lu 呂柏伸
Director/Adaptation 劇本改寫、導演 | Chih-Ching Chester Tsai 蔡志擎
Cast 演員 | 林子恆、張智一、張雲欽、劉 桓、潘韋勳、蔡佾玲
Scenic Design | 林仕倫
Lighting Design | 陳以欣
Costume Design | 柯詠心
Music by | Hans Tsai 蔡秉衡
Graphic Design | Eason Lu 呂婉柔
Reviews
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台新藝術獎提名觀察:〈誰才更危害人類?《泰特斯瘋狂場景》同情割喉戰及嗜血傳媒之觀點競賽〉國立臺灣大學外國語文學系 王寶祥教授
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表演藝術評論台:〈如何處理暴力,與為何要現代化經典文本《泰特斯瘋狂場景》〉
倫敦大學金匠學院表演與文化研究所碩士 劉惠澤 -
表演藝術評論台:〈從瘋狂的視角讀懂:文明與暴力《泰特斯瘋狂場景》〉
臺灣藝術大學表演藝術跨領域碩士班研究生 尹良豪